RESUMO
By considering the work of American embalmer, lawyer, and physician Carl Lewis Barnes (1872-1927), this paper analyzes the emergence of modern embalming in America. Barnes experimented with and exhibited the techniques by which embalming fluids travelled into the most remote cavities of the human body. In this sense, modem embalmers based their skills and methods on experimental medicine, turning the anatomy of blood vessels, physiology of circulation, and composition of blood into a circuit that allowed embalming fluids to move throughout the corpse. Embalmers in the late 19th century took ownership of the laws of hydrodynamics and the physiology of blood circulation to market their fluids and equipment, thus playing the role of physiologists of death, performing and demonstrating physiological experiments with dead bodies.
Assuntos
Cadáver , Embalsamamento/história , Embalsamamento/métodos , História do Século XIX , Humanos , Estados UnidosRESUMO
Museums where anatomical pieces are exhibited are disappearing. The advance of the computer together with the advance of conventional and three-dimensional radiology makes the organs to be exposed without practicing dissection and the virtual images replace the real ones in the educational process. Some current laws that restrict the use of corpses and fetuses for obituary and exhibition studies have also contributed to the tendency. The anatomical museum, today named Pedro Ara, was founded in December 1920 and it exhibits anatomic works from the embryonic stage to old age, contributing unbeatable teachings to the medical sciences and the general public. The museum is located in the Angel Roque Suarez Anatomic Institute in the Clinical National Hospital which depends on the National University of Cordoba. It is visited daily by hundreds of people from all over the world. The museum owns 1211 pieces that combine ethical, scientific, aesthetical and educational values achieving a realization that received international acknowledgement. The most valuable exhibited work is 'Old man's head' made by Professor Pedro Ara in 1928-1929 (Figure 1), which, owing to its high quality, is in an impeccable and unharmed condition despite being exhibited for 80 years. Other authors, such as Professor Humberto Fracassi, also enriched the museum with their work and we, convinced that it favors and will favor our human formation and professional training, have the privilege of being their heirs and the responsibility of being their followers.