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The morphology of otoliths determines the function they perform, and it is influenced by genetic and environmental factors. Knowing those relationships is necessary to understand the role of hearing in fish. The objectives of this work were: exploring the shape of the sulcus of the sagittal otolith in seven species of Sciaenidae, in relation to sound production, and analyzing whether the shape and size of the sulcus can be used as a phylogenetic character. For this purpose, geometric morphometry analysis was carried out using landmarks data. It was found that there is an influence of size on the shape of the sulcus, and significant differences were found between the shapes of the sulcus (permutational multivariate analysis of variance). Three general shapes of the sulcus were identified (using principal component analysis, canonical variate analysis, and clustering): (1) in species that produce sounds at dominant frequencies <350 Hz, the deformation of the sulcus showed a tendency towards circularity of the ostium; (2) in those species that produce sounds at frequencies >350 Hz, the ostium showed a flattened ovoid shape, and the cauda increased its length; (3) the species that do not produce sounds, did not show any modifications, relative to the form of consensus. Despite finding sister species that presented similar sulcus shapes in the phylogeny, the results did not confirm that this can be used as a phylogenetic character. This work discusses whether the combined effects of phylogenetic legacy and natural functional selection have led to convergent evolution for the sulcus form. The differences presented by the sulcus of species that occupy the same clade, could indicate that there is a displacement of characters. The sagittal otolith and the sensory macula associated with the sulcus acusticus are highly plastic structures that are subject to strong evolutionary pressure in relation to environmental and behavioral factors, resulting in great variability in shapes that can be associated with a specific character. The variation in the shape of the sulcus would allow the analysed species to coexist in the same coastal soundscapes, without losing their particular hearing needs, even in case of overlapping their spatial and temporal distribution areas.

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The macroscopic morphology of structures involved in sound generation in the Indian Ocean humpback dolphin (Sousa plumbea) were described for the first time using computed tomography imaging and standard gross dissection techniques. The Indian Ocean humpback dolphin may represent a useful comparative model to the bottlenose dolphin (Tursiops sp.) to provide insights into the functional anatomy of the sound production in dolphins, since these coastal dolphins exhibit similar body size and share similarities on acoustic behavior. The general arrangement of sound generating structures, that is, air sacs and muscles, was similar in both the bottlenose dolphin and the Indian Ocean humpback dolphin. The main difference between the two species existed in a small left posterior branch of the melon in the Indian Ocean humpback dolphin, which was not found in the bottlenose dolphin and might reflect an adaptation of directionality for high frequency communication sounds as seen in some other delphinids (e.g., Lagenorhynchus sp., Grampus griseus). Thus, this may be the main reason for the asymmetry of the sound production structures in dolphins. Additionally, the longer rostrum in Indian Ocean humpback dolphins might suggest a more directional echolocation beam compared to the Lahille's bottlenose dolphin. Anat Rec, 302:849-860, 2019. © 2018 Wiley Periodicals, Inc.

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Disturbance and advertisement calls of the Argentine croaker Umbrina canosai were recorded from coastal Uruguayan waters. Dissections indicate typical sciaenid extrinsic swimbladder muscles present exclusively in males. Disturbance calls were produced when captive U. canosai were startled, chased with a net or grabbed by the tail. Calls were unusual for sciaenids because each pulse consisted of multiple cycles. The number of cycles per pulse and dominant frequency did not change with U. canosai size, but pulse duration and interpulse interval increased. Advertisement calls were recorded from unseen choruses in the field and confirmed with captive individuals in a large tank. Advertisement calls were recorded throughout the known range of the species in Uruguay indicating a continuous belt of spawning populations. Tank recordings of the same individuals permitted explicit comparisons between the two calls. Advertisement call pulses averaged 2·4 more cycles (11·0-8·6) although pulses of both calls were basically similar as were durations and dominant frequencies. Pulse number, however, differed markedly, averaging 13·6 and 3·4 pulses for disturbance and advertisement calls respectively. Furthermore, disturbance calls were produced as a rapid series with an interpulse interval of 26-31 ms whereas advertisement call patterns were less stereotyped and ranged from <100 to 450 ms. Multicycle pulses distinguished U. canosai from other sympatric sciaenids.

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The sound producing apparatus of the dwarf sperm whale (Kogia sima) presents a complex anatomic structure composed of melon, spermaceti, phonic lips, vocal cap, case, papillae, spermaceti chamber and other airspaces, as well as facial muscles involved in sound production. The spermaceti chamber rests on the caudal portion of the premaxilla, with part of its mucosa covered with spherical/oval-shaped structures (approximately 1 to 2 mm in diameter), compatible with vesicles (previously referred to as "papillae"). Macroscopical examination revealed whitish, firm, widely and irregularly distributed vesicular mucosa on the premaxillary portion of the spermaceti chamber of a K. sima specimen stranded on the coast of Santos (southeastern Brazilian coast). Upon microscopic examination, walls of connective tissue with abundant type I collagen forming vesicles with an internal space or cavity filled with a small amount of eosinophilic substance compatible with mucoproteic fluid were observed. The base of such vesicles presented glands within the connective tissue, probably responsible for fluid production. This study describes the histology of the mucosa of the spermaceti chamber of a K. sima specimen and characterizes the glands associated with fluid production.(AU)

O sistema de produção sonora do cachalote-anão (Kogia sima) apresenta uma complexa estrutura anatômica composta por melão, espermacete, lábios fônicos, "vocal cap", "case", papilas, câmara do espermacete e outros espaços aéreos, além de músculos faciais envolvidos na produção sonora. A câmara do espermacete localiza-se na porção caudal da pré-maxila, apresentando parte de sua mucosa recoberta por estruturas esférico-ovaladas de aproximadamente 1 a 2 mm de diâmetro, compatíveis com vesículas (previamente denominadas "papilas"). Ao exame macroscópico de um espécime de K. sima encalhado no litoral de Santos (sudeste da costa brasileira), foi identificada mucosa esbranquiçada e firme ao corte, ampla e irregularmente distribuída na porção pré-maxilar da câmara do espermacete. Ao exame microscópico foram observadas vesículas compostas por abundante tecido conectivo de colágeno tipo I, dando origem a um espaço interno ou cavidade, contendo pequena quantidade de substância eosinófila, compatível com fluido mucoprotêico. Estruturas glandulares foram observadas em tecido conjuntivo na base das vesículas, provavelmente responsáveis pela produção do fluido observado no interior das mesmas. Esse estudo caracteriza histologicamente a mucosa da câmara do espermacete de um espécime de K. sima e as glândulas relacionadas a sua produção secretória.(AU)

Assuntos

RESUMO

The sound producing apparatus of the dwarf sperm whale (Kogia sima) presents a complex anatomic structure composed of melon, spermaceti, phonic lips, vocal cap, case, papillae, spermaceti chamber and other airspaces, as well as facial muscles involved in sound production. The spermaceti chamber rests on the caudal portion of the premaxilla, with part of its mucosa covered with spherical/oval-shaped structures (approximately 1 to 2 mm in diameter), compatible with vesicles (previously referred to as “papillae”). Macroscopical examination revealed whitish, firm, widely and irregularly distributed vesicular mucosa on the premaxillary portion of the spermaceti chamber of a K. sima specimen stranded on the coast of Santos (southeastern Brazilian coast). Upon microscopic examination, walls of connective tissue with abundant type I collagen forming vesicles with an internal space or cavity filled with a small amount of eosinophilic substance compatible with mucoproteic fluid were observed. The base of such vesicles presented glands within the connective tissue, probably responsible for fluid production. This study describes the histology of the mucosa of the spermaceti chamber of a K. sima specimen and characterizes the glands associated with fluid production.

O sistema de produção sonora do cachalote-anão (Kogia sima) apresenta uma complexa estrutura anatômica composta por melão, espermacete, lábios fônicos, “vocal cap”, “case”, papilas, câmara do espermacete e outros espaços aéreos, além de músculos faciais envolvidos na produção sonora. A câmara do espermacete localiza-se na porção caudal da pré-maxila, apresentando parte de sua mucosa recoberta por estruturas esférico-ovaladas de aproximadamente 1 a 2 mm de diâmetro, compatíveis com vesículas (previamente denominadas “papilas”). Ao exame macroscópico de um espécime de K. sima encalhado no litoral de Santos (sudeste da costa brasileira), foi identificada mucosa esbranquiçada e firme ao corte, ampla e irregularmente distribuída na porção pré-maxilar da câmara do espermacete. Ao exame microscópico foram observadas vesículas compostas por abundante tecido conectivo de colágeno tipo I, dando origem a um espaço interno ou cavidade, contendo pequena quantidade de substância eosinófila, compatível com fluido mucoprotêico. Estruturas glandulares foram observadas em tecido conjuntivo na base das vesículas, provavelmente responsáveis pela produção do fluido observado no interior das mesmas. Esse estudo caracteriza histologicamente a mucosa da câmara do espermacete de um espécime de K. sima e as glândulas relacionadas a sua produção secretória.

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RESUMO

The sound producing apparatus of the dwarf sperm whale (Kogia sima) presents a complex anatomic structure composed of melon, spermaceti, phonic lips, vocal cap, case, papillae, spermaceti chamber and other airspaces, as well as facial muscles involved in sound production. The spermaceti chamber rests on the caudal portion of the premaxilla, with part of its mucosa covered with spherical/oval-shaped structures (approximately 1 to 2 mm in diameter), compatible with vesicles (previously referred to as “papillae”). Macroscopical examination revealed whitish, firm, widely and irregularly distributed vesicular mucosa on the premaxillary portion of the spermaceti chamber of a K. sima specimen stranded on the coast of Santos (southeastern Brazilian coast). Upon microscopic examination, walls of connective tissue with abundant type I collagen forming vesicles with an internal space or cavity filled with a small amount of eosinophilic substance compatible with mucoproteic fluid were observed. The base of such vesicles presented glands within the connective tissue, probably responsible for fluid production. This study describes the histology of the mucosa of the spermaceti chamber of a K. sima specimen and characterizes the glands associated with fluid production.(AU)

O sistema de produção sonora do cachalote-anão (Kogia sima) apresenta uma complexa estrutura anatômica composta por melão, espermacete, lábios fônicos, “vocal cap”, “case”, papilas, câmara do espermacete e outros espaços aéreos, além de músculos faciais envolvidos na produção sonora. A câmara do espermacete localiza-se na porção caudal da pré-maxila, apresentando parte de sua mucosa recoberta por estruturas esférico-ovaladas de aproximadamente 1 a 2 mm de diâmetro, compatíveis com vesículas (previamente denominadas “papilas”). Ao exame macroscópico de um espécime de K. sima encalhado no litoral de Santos (sudeste da costa brasileira), foi identificada mucosa esbranquiçada e firme ao corte, ampla e irregularmente distribuída na porção pré-maxilar da câmara do espermacete. Ao exame microscópico foram observadas vesículas compostas por abundante tecido conectivo de colágeno tipo I, dando origem a um espaço interno ou cavidade, contendo pequena quantidade de substância eosinófila, compatível com fluido mucoprotêico. Estruturas glandulares foram observadas em tecido conjuntivo na base das vesículas, provavelmente responsáveis pela produção do fluido observado no interior das mesmas. Esse estudo caracteriza histologicamente a mucosa da câmara do espermacete de um espécime de K. sima e as glândulas relacionadas a sua produção secretória.(AU)

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West Indian (Trichechus manatus) and Amazonian (T. inunguis) manatees are vocal mammals, with most sounds produced for communication between mothers and calves. While their hearing and vocalizations have been well studied, the actual mechanism of sound production is unknown. Acoustical recordings and anatomical examination were used to determine the source of sound generation. Recordings were performed on live captive manatees from Puerto Rico, Cuba and Colombia (T. manatus) and from Peru (T. inunguis) to determine focal points of sound production. The manatees were recorded using two directional hydrophones placed on the throat and nasal region and an Edirol-R44 digital recorder. The average sound intensity level was analyzed to evaluate the sound source with a T test: paired two sample for means. Anatomical examinations were conducted on six T. manatus carcasses from Florida and Puerto Rico. During necropsies, the larynx, trachea, and nasal areas were dissected, with particular focus on identifying musculature and soft tissues capable of vibrating or constricting the airway. From the recordings we found that the acoustical intensity was significant (P < 0.0001) for both the individuals and the pooled manatees in the ventral throat region compared to the nasal region. From the dissection we found two raised areas of tissue in the lateral walls of the manatee's laryngeal lumen that are consistent with mammalian vocal folds. They oppose each other and may be able to regulate airflow between them when they are adducted or abducted by muscular control of arytenoid cartilages. Acoustic and anatomical evidence taken together suggest vocal folds as the mechanism for sound production in manatees.

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The Sterile Insect Technique (SIT) has been used successfully to control or eradicate fruit flies. The commonly observed inferiority of mass-reared males, compared with wild males, when they are paired with wild females, is apparently due to their inadequate courtship. Anastrepha ludens males produce two types of wing vibration during courtship and mating, the "calling sound" and the "premating or precopulatory sound". There were clear differences in the calling songs between successful and unsuccessful courtships in sterile (irradiated) and fertile Mexican flies. Among sterile flies, successful males produce longer buzzes, shorter interpulses and a higher power spectrum in the signal. Fertile flies showed the same trend. For mating songs a significant difference occurred in two parameters: power spectrum between sterile and fertile flies with respect to the type of song, and the signal duration and intensity were greater in non-irradiated flies. Calling songs of wild flies compared with laboratory grown flies from Mexico had shorter interpulses, longer pulses, and a greater power spectrum. However, in the case of premating songs, the only difference was in the intensity, which was significantly greater in wild males. An unexpected result was not observing pulses during pheromone deposition in wild males from Costa Rica. Comparing the premating songs of wild flies from Costa Rica and Mexico, no significant differences were observed in the duration, and the intensity of the signal was slightly greater in flies from Mexico. Rev. Biol. Trop. 57 (Suppl. 1): 257-265. Epub 2009 November 30.

La técnica estéril del insecto (SIT) se ha utilizado con éxito para controlar o para suprimir las moscas de fruta y su impacto en los cultivos. La inferioridad comúnmente observada de machos criados masivamente, comparada con los machos silvestres, cuando se aparean con las hembras silvestres es al parecer debido a su inadecuado cortejo. Los machos de Anastrepha ludens producen dos tipos de vibraciones del ala durante cortejo y el apareamiento, una de "llamada" y "el sonido de pre-apareamiento o precopulatorio". Se encontraron diferencias claras en las canciones de llamada entre los cortejos exitosos y no exitosos en moscas estériles y fértiles de Mexico. En las moscas estériles, los machos exitosos producen zumbidos más largos, interpulsos más cortos y un espectro de una energía más alta en la señal. Las moscas fértiles mostraron la misma tendencia. Para las canciones precopulatorias hay diferencias significativas en dos parámetros: el espectro de energía entre las moscas irradiadas y no irradiadas también observadas con respecto al tipo de canción, y la duración y la intensidad de la señal fueron mayores en moscas no irradiadas. Las canciones de llamada de las moscas silvestres comparadas con las de laboratorio de México tenían interpulsos más cortos, pulsos más largos, y un mayor espectro de energía. Sin embargo, en el caso de canciones precopulatorias, la única diferencia estaba en la intensidad, que era perceptiblemente mayor en machos silvestres. Un resultado inesperado fue no observar canciones de llamada durante la deposición de la feromona en machos silvestres de Costa Rica. Al comparar las canciones precopulatorias de moscas silvestres de Costa Rica y de México, no se observó ninguna diferencia significativa en la duración, ni en la intensidad de la señal.

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