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There is a surprisingly strong effect on color appearance when low levels of luminance contrast are added to visual targets in which only S-cones are modulated. This phenomenon can be studied with checkerboard patterns composed of alternating S-cone-modulated checks and gray checks. + S checks look purple when surrounded by slightly brighter gray checks but look highly desaturated (lavender, almost white) when surrounded by darker gray checks. -S checks change in hue with luminance contrast; they look yellow when surrounded by darker gray checks but are greener when surrounded by lighter checks. Psychophysical paired comparisons confirm these perceptions. Furthermore, visual evoked potentials (VEPs) recorded from human posterior cortex indicate that signals evoked by low luminance contrast interact nonlinearly with S-cone-evoked signals in early cortical color processing. Our new psychophysics and electrophysiology results prove that human perception of color appearance is not based on neural computations within a separate, isolated color system. Rather, signals evoked by color contrast and luminance contrast interact to produce the colors we see.

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As the final processing step, drying temperature between 90 and 140 â„ƒ is usually applied to terminate enzymatic activities and improve sensory characteristics of black tea. Liquid chromatography tandem mass spectrometry (LC-MS) based non-targeted and targeted metabolomics analyses combined in vitro biological assays were adopted to investigate the chemical and biological variations after drying. Fifty-nine differentially expressed metabolites including several hydroxycinnamic acid derivatives and pyroglutamic acid-glucose Amadori rearrangement products (ARPs) were identified, the latter of which was correspondingly accumulated with increasing temperature. The levels of theaflavins (TFs), thearubigins (TRs), monosaccharides and free amino acids gradually decreased with increasing temperature. Furthermore, the bioassays of black tea showed that drying under 110 â„ƒ provided the highest antioxidant capacities, but the inhibitory effects on α-glucosidase and α-amylase were decreasing along with increasing drying temperature. These results are valuable for optimizing drying process to obtain superior sensory properties and preserve bioactivities of black tea.

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Background and Objective. Skin cancer is the most common cancer worldwide. One of the most common non-melanoma tumors is basal cell carcinoma (BCC), which accounts for 75% of all skin cancers. There are many benign lesions that can be confused with these types of cancers, leading to unnecessary biopsies. In this paper, a new method to identify the different BCC dermoscopic patterns present in a skin lesion is presented. In addition, this information is applied to classify skin lesions into BCC and non-BCC. Methods. The proposed method combines the information provided by the original dermoscopic image, introduced in a convolutional neural network (CNN), with deep and handcrafted features extracted from color and texture analysis of the image. This color analysis is performed by transforming the image into a uniform color space and into a color appearance model. To demonstrate the validity of the method, a comparison between the classification obtained employing exclusively a CNN with the original image as input and the classification with additional color and texture features is presented. Furthermore, an exhaustive comparison of classification employing different color and texture measures derived from different color spaces is presented. Results. Results show that the classifier with additional color and texture features outperforms a CNN whose input is only the original image. Another important achievement is that a new color cooccurrence matrix, proposed in this paper, improves the results obtained with other texture measures. Finally, sensitivity of 0.99, specificity of 0.94 and accuracy of 0.97 are achieved when lesions are classified into BCC or non-BCC. Conclusions. To the best of our knowledge, this is the first time that a methodology to detect all the possible patterns that can be present in a BCC lesion is proposed. This detection leads to a clinically explainable classification into BCC and non-BCC lesions. In this sense, the classification of the proposed tool is based on the detection of the dermoscopic features that dermatologists employ for their diagnosis.

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Biological neural networks for color vision (also known as color appearance models) consist of a cascade of linear + nonlinear layers that modify the linear measurements at the retinal photo-receptors leading to an internal (nonlinear) representation of color that correlates with psychophysical experience. The basic layers of these networks include: (1) chromatic adaptation (normalization of the mean and covariance of the color manifold); (2) change to opponent color channels (PCA-like rotation in the color space); and (3) saturating nonlinearities to obtain perceptually Euclidean color representations (similar to dimension-wise equalization). The Efficient Coding Hypothesis argues that these transforms should emerge from information-theoretic goals. In case this hypothesis holds in color vision, the question is what is the coding gain due to the different layers of the color appearance networks? In this work, a representative family of color appearance models is analyzed in terms of how the redundancy among the chromatic components is modified along the network and how much information is transferred from the input data to the noisy response. The proposed analysis is performed using data and methods that were not available before: (1) new colorimetrically calibrated scenes in different CIE illuminations for the proper evaluation of chromatic adaptation; and (2) new statistical tools to estimate (multivariate) information-theoretic quantities between multidimensional sets based on Gaussianization. The results confirm that the efficient coding hypothesis holds for current color vision models, and identify the psychophysical mechanisms critically responsible for gains in information transference: opponent channels and their nonlinear nature are more important than chromatic adaptation at the retina.

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This study examines the cross-cultural generality of Hering's (1878/1964) color-opponent theory of color appearance. English-speaking and Somali-speaking observers performed variants of two paradigms classically used to study color-opponency. First, both groups identified similar red, green, blue, and yellow unique hues. Second, 25 English-speaking and 34 Somali-speaking observers decomposed the colors present in 135 Munsell color samples into their component Hering elemental sensations-red,green,blue, yellow, white, and black-or else responded "no term." Both groups responded no term for many samples, notably purples. Somali terms for yellow were often used to name colors all around the color circle, including colors that are bluish according to Hering's theory. Four Somali Grue speakers named both green and blue elicitation samples by their term for green. However, that term did not name the union of all samples called blue or green by English speakers. A similar pattern was found among three Somali Achromatic speakers, who called the blue elicitation sample black or white. Thus, color decomposition by these Somali-speaking observers suggests a lexically influenced re-dimensionalization of color appearance space, rather than a simple reduction of the one proposed by Hering. Even some Somali Green-Blue speakers, whose data were otherwise similar to English, showed similar trends in yellow and blue usage. World Color Survey data mirror these results. These within- and cross-cultural violations of Hering's theory do not challenge the long-standing view that universal sensory processes mediate color appearance. However, they do demonstrate an important contribution of language in the human understanding of color.

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We propose a new model to assess the effectiveness of camouflage in terms of perceived color difference and gradient magnitude. The "image color similarity index" (ICSI) and gradient magnitude similarity deviation (GMSD) were employed to analyze color and texture differences, respectively, between background and camouflage images. Information entropy theory was used to calculate weights for each metric, yielding an overall camouflage effectiveness metric. During the analysis process, both spatial and color perceptions of the human visual system (HVS) were considered, to mimic real-world observations. Subjective tests were used to compare our proposed method with previous methods, and our results confirmed the validity of assessing camouflage effectiveness based on perceived color difference and gradient magnitude.

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Material jetting (MJ)-type 3D printers have been considered as one of the most versatile types of 3D printers, enabling full-color printing and multi-material printing. However, to the best of our knowledge, there are few academic studies on the development of full-color MJ technologies, and the formulation of commercial resins is confidential and proprietary. In this paper, we give an insight into the preparation of photocurable resins in the primary CMYKW (cyan, magenta, yellow, black, and white) colors that are printable with the multiple piezoelectric heads of our homemade MJ full-color 3D printer. The components comprising the resins, such as the photo-initiator, oligomers, monomers, and crosslinkers, were methodically adjusted and characterized to achieve high-performance MJ printable resins. Subsequently, the prepared resins were colored with the CMYKW colors and their ability of high-quality color appearance in full-color printing was demonstrated.

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Human vision provides useful information about the shape and color of the objects around us. It works well in many, but not all, lighting conditions. Since the advent of human-made light sources, it has been important to understand how illumination affects vision quality, but this has been surprisingly difficult. The widespread introduction of solid-state light emitters has increased the urgency of this problem. Experts still debate how lighting can best enable high-quality vision-a key issue since about one-fifth of global electrical power production is used to make light. Photometry, the measurement of the visual quantity of light, is well established, yet significant uncertainties remain. Colorimetry, the measurement of color, has achieved good reproducibility, but researchers still struggle to understand how illumination can best enable high-quality color vision. Fortunately, in recent years, considerable progress has been made. Here, we summarize the current understanding and discuss key areas for future study.

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In classic simultaneous color contrast and simultaneous brightness contrast, the color or brightness of a stimulus appears to shift toward the complementary (opposite) color or brightness of its surrounding region. Kaneko and colleagues proposed that simultaneous contrast involves separate "fast" and "slow" mechanisms, with stronger induction effects for fast than slow. Support for the model came from a diverse series of experiments showing that induction by surrounds varying in luminance or color was stronger for brief than long presentation times (10-40 vs. 80-640 ms). Here, to further examine possible underlying processes, we reanalyzed 12 separate small data sets from these studies using correlational and factor analytic techniques. For each analysis, a principal component analysis of induction strength revealed two factors, with one Varimax-rotated factor accounting for brief and one for long durations. In simultaneous brightness experiments, separate factor pairs were obtained for luminance increments and decrements. Despite being based on small sample sizes, the two-factor consistency among 12 analyses would not be expected by chance. The results are consistent with separate fast and slow processes mediating simultaneous contrast for brief and long flashes.

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Surface color appearance depends on both local surface chromaticity and global context. How are these inter-dependencies supported by cortical networks? Combining functional imaging and psychophysics, we examined if color from long-range filling-in engages distinct pathways from responses caused by a field of uniform chromaticity. We find that color from filling-in is best classified and best correlated with appearance by two dorsal areas, V3A and V3B/KO. In contrast, a field of uniform chromaticity is best classified by ventral areas hV4 and LO. Dynamic causal modeling revealed feedback modulation from area V3A to areas V1 and LO for filling-in, contrasting with feedback from LO modulating areas V1 and V3A for a matched uniform chromaticity. These results indicate a dorsal stream role in color filling-in via feedback modulation of area V1 coupled with a cross-stream modulation of ventral areas suggesting that local and contextual influences on color appearance engage distinct neural networks.

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The purpose of the present study is to propose a simple algorithm for color appearance simulation under a color illuminant. Achromatic point is a chromaticity of rays that appear neither red nor green, neither blue nor yellow under a given illuminant condition. Saturation and hue of surface colors are evaluated with respect to the achromatic point of the same lightness, while the achromatic point under a colored illuminant depends on the lightness tested. We previously found that this achromatic point locus can be simply approximated as a line with a parallel offset from the lightness axis of CIE LAB space normalized to daylight. We propose a model that applies shifts in the lightness direction after applying hue/saturation shifts using the cone-response (von Kries) transformation under an iso-lightness constraint, such that achromatic points would be aligned with the lightness axis in the CIE LAB space under daylight normalization. We tested this algorithm, which incorporates evaluation of color appearance in different lightness levels, using #theDress image. Resemblance between our simulation and subjective color-matching results implies that human color vision possibly processes shifts in color and lightness independently, as a previous study reported. Changes in the chromaticity distribution of the images were compared with conventional models, and the proposed model preserved relative color difference better, especially at the lower lightness levels. The better performance in lower lightness levels would be advantageous in displays with wider dynamic range in luminance. This implies that the proposed model is effective in simulating color appearance of images with nonnegligible lightness and color differences.

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This study investigated categorical perception for unique hues in order to establish a relationship between color appearance, color discrimination, and low-level (second-stage) mechanisms. We tested whether pure red, yellow, green, and blue, (unique hues) coincide with troughs, and their transitions (binary hues) with peaks of sensitivity in DKL-space. Results partially confirmed this idea: JNDs demarcated perceptual categories at the binary hues around green, blue and less clearly around yellow, when colors were isoluminant with the background and when accounting for the overall variation of sensitivity by fitting an ellipse. The categorical JND pattern for those three categories was in line with the effect of the second-stage mechanisms. In contrast, the results for unique red, binary red-yellow, and the JNDs for dark colors clearly contradicted categorical perception. There was a JND maximum around the center of red and JNDs strongly decreased away from the center. Although this observation alone would also be in line with categorical perception; unique red was shifted away from the center towards yellow so that unique red was close to the minimum instead of the maximum JND, hence contradicting categorical perception. In addition, we also showed that observers do not adjust unique hues more consistently than binary hues, confirming a previous study. Taken together, our findings suggest that some of the unique hues could be inherent in the early stages of color processing. At the same time, they also raise questions about complex effects of lightness, chroma and instructions on the measurements of JNDs and unique hues.

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Conjoint measurement was used to investigate the joint influences of the luminance of the background and the inner contour on hue- and brightness filling-in for a stimulus configuration generating a water-color effect (WCE), i.e., a wiggly bi-chromatic contour enclosing a region with the lower luminance component on the exterior. Two stimuli with the background and inner contour luminances covarying independently were successively presented, and in separate experiments, the observer judged which member of the pair's interior regions contained a stronger hue or was brighter. Braided-contour control stimuli that generated little or no perceptual filling-in were also used to assess whether observers were judging the interior regions and not the contours themselves. Three nested models of the contributions of the background and inner contour to the judgments were fit to the data by maximum likelihood and evaluated by likelihood ratio tests. Both stimulus components contributed to both the hue and brightness of the interior region with increasing luminance of the inner contour generating an assimilative filling-in for the hue judgments but a contrast effect for the brightness judgments. Control analyses showed negligible effects for the order of the luminance of the background or inner contour on the judgments. An additive contribution of both components was rejected in favor of a saturated model in which the responses depended on the levels of both stimulus components. For the hue judgments, increased background luminance led to greater hue filling-in at higher luminances of the interior contour. For the brightness judgments, the higher background luminance generated less brightness filling-in at higher luminances of the interior contour. The results indicate different effects of the inner contour and background on the induction of the brightness and coloration percepts of the WCE, suggesting that they are mediated by different mechanisms.

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A longstanding and unresolved question is how observers construct a discrete set of color categories to partition and label the continuous variations in light spectra, and how these categories might reflect the neural representation of color. We explored the properties of color naming and its relationship to color appearance by analyzing individual differences in color-naming and hue-scaling patterns, using factor analysis of individual differences to identify separate and shared processes underlying hue naming (labeling) and hue scaling (color appearance). Observers labeled the hues of 36 stimuli spanning different angles in cone-opponent space, using a set of eight terms corresponding to primary (red, green, blue, yellow) or binary (orange, purple, blue-green, yellow-green) hues. The boundaries defining different terms varied mostly independently, reflecting the influence of at least seven to eight factors. This finding is inconsistent with conventional color-opponent models in which all colors derive from the relative responses of underlying red-green and blue-yellow dimensions. Instead, color categories may reflect qualitatively distinct attributes that are free to vary with the specific spectral stimuli they label. Inter-observer differences in color naming were large and systematic, and we examined whether these differences were associated with differences in color appearance by comparing the hue naming to color percepts assessed by hue scaling measured in the same observers (from Emery et al., 2017). Variability in both tasks again depended on multiple (7 or 8) factors, with some Varimax-rotated factors specific to hue naming or hue scaling, but others common to corresponding stimuli for both judgments. The latter suggests that at least some of the differences in how individuals name or categorize color are related to differences in how the stimuli are perceived.

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Observers with normal color vision vary widely in their judgments of color appearance, such as the specific spectral stimuli they perceive as pure or unique hues. We examined the basis of these individual differences by using factor analysis to examine the variations in hue-scaling functions from both new and previously published data. Observers reported the perceived proportion of red, green, blue or yellow in chromatic stimuli sampling angles at fixed intervals within the LM and S cone-opponent plane. These proportions were converted to hue angles in a perceptual-opponent space defined by red vs. green and blue vs. yellow axes. Factors were then extracted from the correlation matrix using PCA and Varimax rotation. These analyses revealed that inter-observer differences depend on seven or more narrowly-tuned factors. Moreover, although the task required observers to decompose the stimuli into four primary colors, there was no evidence for factors corresponding to these four primaries, or for opponent relationships between primaries. Perceptions of "redness" in orange, red, and purple, for instance, involved separate factors rather than one shared process for red. This pattern was compared to factor analyses of Monte Carlo simulations of the individual differences in scaling predicted by variations in standard opponent mechanisms, such as their spectral tuning or relative sensitivity. The observed factor pattern is inconsistent with these models and thus with conventional accounts of color appearance based on the Hering primaries. Instead, our analysis points to a perceptual representation of color in terms of multiple mechanisms or decision rules that each influence the perception of only a relatively narrow range of hues, potentially consistent with a population code for color suggested by cortical physiology.

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For anomalous trichromats, threshold contrasts for color differences captured by the L and M cones and their anomalous analogs are much higher than for normal trichromats. The greater spectral overlap of the cone sensitivities reduces chromatic contrast both at and above threshold. But above threshold, adaptively nonlinear processing might compensate for the chromatically impoverished photoreceptor inputs. Ratios of sensitivity for threshold variations and for color appearance along the two cardinal axes of MacLeod-Boynton chromaticity space were calculated for three groups: normals (N = 15), deuteranomals (N = 9), and protanomals (N = 5). Using a four-alternative forced choice (4AFC) task, threshold sensitivity was measured in four color-directions along the two cardinal axes. For the same participants, we reconstructed perceptual color spaces for the positions of 25 hues using multidimensional scaling (MDS). From the reconstructed color spaces we extracted "color difference ratios," defined as ratios for the size of perceived color differences along the L/(L + M) axis relative to those along the S/(L + M) axis, analogous to "sensitivity ratios" extracted from the 4AFC task. In the 4AFC task, sensitivity ratios were 38% of normal for deuteranomals and 19% of normal for protanomals. Yet, in the MDS results, color difference ratios were 86% of normal for deuteranomals and 67% of normal for protanomals. Thus, the contraction along the L/(L + M) axis shown in the perceptual color spaces of anomalous trichromats is far smaller than predicted by their reduced sensitivity, suggesting that an adaptive adjustment of postreceptoral gain may magnify the cone signals of anomalous trichromats to exploit the range of available postreceptoral neural signals.

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Some familiar objects have a typical color, such as the yellow of a banana. The presence of such objects in a scene is a potential cue to the scene illumination, since the light reflected from them should on average be consistent with their typical surface reflectance. Although there are many studies on how the identity of an object affects how its color is perceived, little is known about whether the presence of a familiar object in a scene helps the visual system stabilize the color appearance of other objects with respect to changes in illumination. We used a successive color matching procedure in three experiments designed to address this question. Across the experiments we studied a total of 6 subjects (2 in Experiment 1, 3 in Experiment 2, and 4 in Experiment 3) with partial overlap of subjects between experiments. We compared measured color constancy across conditions in which a familiar object cue to the illuminant was available with conditions in which such a cue was not present. Overall, our results do not reveal a reliable improvement in color constancy with the addition of a familiar object to a scene. An analysis of the experimental power of our data suggests that if there is such an effect, it is small: less than approximately a change of 0.09 in a constancy index where an absence of constancy corresponds to an index value of 0 and perfect constancy corresponds to an index value of 1.

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Perceptual estimates can be biased by previously seen stimuli in delayed estimation tasks. These biases are often toward the mean of the whole stimulus set. Recently, we demonstrated such a central tendency bias in delayed color estimation. In the Bayesian framework of perceptual inference, perceptual biases arise when noisy sensory measurements are combined with prior information about the world. Here, we investigate this idea in color perception by manipulating stimulus range and stimulus noise while characterizing delayed color estimates. First, we manipulated the experimental prior for stimulus color by embedding stimuli in collections with different hue ranges. Stimulus range affected hue bias: Hue estimates were always biased toward the mean of the current set. Next, we studied the effect of internal and external noise on the amount of hue bias. Internal noise was manipulated by increasing the delay between the reference and test from 0.4 to 4 s. External noise was manipulated by increasing the amount of chromatic noise in the reference stimulus, while keeping the delay between the reference and test constant at 2 s. Both noise manipulations had a reliable effect on the strength of the central tendency bias. Furthermore, there was a tendency for a positive relationship between variability of the estimates and bias in both noise conditions. In conclusion, observers are able to learn an experimental hue prior, and the weight on the prior can be manipulated by introducing noise in the estimation process.

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When seen in isolation, a light that varies in chromaticity over time is perceived to oscillate in color. Perception of that same time-varying light may be altered by a surrounding light that is also temporally varying in chromaticity. The neural mechanisms that mediate these contextual interactions are the focus of this article. Observers viewed a central test stimulus that varied in chromaticity over time within a larger surround that also varied in chromaticity at the same temporal frequency. Center and surround were presented either to the same eye (monocular condition) or to opposite eyes (dichoptic condition) at the same frequency (3.125, 6.25, or 9.375 Hz). Relative phase between center and surround modulation was varied. In both the monocular and dichoptic conditions, the perceived modulation depth of the central light depended on the relative phase of the surround. A simple model implementing a linear combination of center and surround modulation fit the measurements well. At the lowest temporal frequency (3.125 Hz), the surround's influence was virtually identical for monocular and dichoptic conditions, suggesting that at this frequency, the surround's influence is mediated primarily by a binocular neural mechanism. At higher frequencies, the surround's influence was greater for the monocular condition than for the dichoptic condition, and this difference increased with temporal frequency. Our findings show that two separate neural mechanisms mediate chromatic contextual interactions: one binocular and dominant at lower temporal frequencies and the other monocular and dominant at higher frequencies (6-10 Hz).

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Adaptive optics combined with visual psychophysics creates the potential to study the relationship between visual function and the retina at the cellular scale. This potential is hampered, however, by visual interference from the wavefront-sensing beacon used during correction. For example, we have previously shown that even a dim, visible beacon can alter stimulus perception (Hofer et al., 2012). Here we describe a simple strategy employing a longer wavelength (980nm) beacon that, in conjunction with appropriate restriction on timing and placement, allowed us to perform psychophysics when dark adapted without altering visual perception. The method was verified by comparing detection and color appearance of foveally presented small spot stimuli with and without the wavefront beacon present in 5 subjects. As an important caution, we found that significant perceptual interference can occur even with a subliminal beacon when additional measures are not taken to limit exposure. Consequently, the lack of perceptual interference should be verified for a given system, and not assumed based on invisibility of the beacon.

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