RESUMEN
In this study ticket prices to Swedish opera houses and symphony orchestra concerts are compared to wages during the 1898-2019 period. Both wages and ticket prices have increased continuously. The same kind of policy objectives concerning social inclusion of disadvantaged groups that were established in the beginning of the twentieth century is still proclaimed. The most favourable ticket pricing policies for buyers were used in the decades around the first national Cultural Policy Act from 1974. The study shows that ticket price levels have risen thereafter to a level much less favourable for low-income workers. Managements do use some price discrimination tactics. However, they do it uniformly for all events. They now focus on the promotion of special, 'popular music'-based events as a response to social inclusion directives. The idea is that attending such performances will make visitors interested in the normal repertoire, as well. The choice of high-level ticket prices for the traditional content means that the standard audience remains monocultural.
RESUMEN
Many European studies find that immigrants and the native population differ in their long-term care use. These differences have been attributed to immigrants' cultural preferences, among others. However, the cultural integration process of immigrants may result in a potential caregiving conflict between foreign-born immigrants' preferences for long-term care and their children's willingness to provide long-term care. In this study, we empirically assess to what extent cultural factors that prevail in foreign-born immigrants' country of origin are reflected in their children's value of informal care. Using data from the German Family Panel and the World Values Survey/European Values Study, we regressed second-generation immigrants' value of informal care on the cultural strength of family ties that prevails in their parents' country of birth. Probit models were estimated and individual characteristics were accounted for. The results show that second-generation immigrants who originate from cultures with stronger family ties are more likely to express a high value of informal care than second-generation immigrants who come from cultures with weaker family ties. We conclude that immigrants' values of informal care are deeply shaped by their country of origin. Policy makers should keep immigrants' needs and preferences in mind when implementing long-term care interventions. The same set of long-term care interventions can have very different effects, depending on immigrants' values. Supplementary Information: The online version contains supplementary material available at 10.1007/s10433-022-00730-1.
RESUMEN
Since the outbreak of the Coronavirus pandemic, the arts and culture sector has been experiencing a paradoxical situation. While the demand for cultural and creative content has intensified throughout the lockdown period--and digital access has become more critical than ever before--economic indicators predict that the cultural sector will be one of the most affected, and probably one of the slowest to recover. Beyond short-term initiatives such as surveys or data collection aiming to provide artists and intermediaries with financial and logistical supports, both academics and practitioners must engage in joined-up thinking on the future of art consumption, especially from a consumer's perspective. This commentary paper addresses the main challenges faced by the economy of arts and culture in times of global health crisis by pinpointing the specificities of cultural goods and services. More specifically, the paper shows the extent to which traditional patterns of consumption have been affected, and what research is needed to develop sustainable solutions. We argue that consumers will be critical players in the recovery process, and four research directions are suggested accordingly: (1) data collection on consumers' cultural practices; (2) consumers and the digital cultural experience; (3) consumers' engagement and loyalty in the arts and culture; and (4) consumers' well-being.
RESUMEN
Although economies of scale are relatively well studied in the arts, economies of scope have received less attention. Yet recent trends toward freelancing and technological connectivity make scope economies especially timely in addressing structural challenges to artist-led incubators. This paper offers a conceptual framework for cooperative strategies that employ economies of scope both in the economic sense of joint production and in the financial sense of risk pooling. This framework distinguishes franchise, federation, and resource-sharing organizational structures as developed through case studies of two US-based organizations: ArtBuilt and REC (Resources for Every Creator), placed in a larger context of cooperative organizational strategy in the USA and Europe. The proposed strategies of cooperative networks (quasi-franchises, federations, or resource-sharing networks) also draw on a literature of spatial agglomeration in creative industries. The framework leads to more speculative ideas of "balance-sheet philanthropy" through credit backstopping by foundations, and of novel investment trusts that can be piloted across a range organizations including foundations, grant-makers, artist residency programs, and even for-profit companies engaged in reinsurance. The paper contributes managerial tools and strategies for the creative engagement of capacity building in arts organizations.
RESUMEN
Marine ecosystem services refer to benefits that people obtain from marine ecosystem. Understanding temporal evolution of these services is a fundamental challenge of natural resource management in marine ecosystems. Yellow Sea is one of the most intensely exploited shallow seas in the Northwest Pacific Ocean. In this study, we analyzed the value of the four classes services (provisioning services, regulating services, cultural services and supporting services, including 14 individual services) of the Yellow Sea on temporal scales. From 1980 to 2010, the total value of the four classes of services was between 297 and 2,232 billion RMB yuan. Only the proportion of cultural services as a percentage of the total value continued to increase for the entire period, from 0.9% in 1980 to 9.4% in 2010. Provisioning services reached their highest point at 18.4% in 2000, and then fell to 10.1% in 2010. Meanwhile, the percentage of regulating services and supporting services declined, falling from 14.4% and 79.4% in 1980 to 10.1% and 70.4% in 2010, respectively. This study represents the first attempt to analyze the temporal evolution of Yellow Sea ecosystem services. It will provide the theoretical basis for further study of the ecological mechanisms of marine ecosystem services.