RESUMEN
A thin silver chloride layer deposited on a conducting support photocatalyzes the oxidation of water to O(2) in the presence of a small excess of silver ions in solution. The light sensitivity in the visible part of the spectrum is due to self-sensitization caused by reduced silver species. Anodic polarization reoxidizes the reduced silver species. To test its water splitting capability, AgCl photoanodes as well as gold colloid modified AgCl photoanodes were combined with an amorphous silicon solar cell. The AgCl layer was employed in the anodic part of a setup for photoelectrochemical water splitting consisting of two separate compartments connected through a salt bridge. A platinum electrode and an amorphous silicon solar cell were used in the cathodic part. Illumination of the AgCl photoanode and the amorphous Si solar cell led to photoelectrochemical water splitting to O(2) and H(2). For AgCl photoanodes modified with gold colloids an increased photocurrent, and consequently a higher O(2) and H(2) production, were observed.
RESUMEN
A setup for reflection visible light imaging microspectroscopy (VIS-imaging) as well as its evaluation and application is described and tested. The spatial resolution of the system is approximately 1 microm at a spectral resolution of 4 nm. The optical contrast between different colored particles in the surface of a sample is optimized with a new image processing method for mapping of the distribution of the identified pigment particles. The potential of VIS-imaging in the study of paint cross sections obtained from paintings is explored. Spectra obtained from pigment particles in these cross sections result in classification or identification of several pigments. The investigated paint samples are challenging test cases, as they contain several colored materials with a very fine distribution. VIS-imaging can identify and map the most common traditional blue pigments, i.e., smalt, azurite, ultramarine, and indigo in 17th century oil paintings. Smalt can be identified even after complete discoloration. VIS-imaging analysis assisted in the identification and mapping of modern synthetic red and yellow pigments in a 20th century painting.