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1.
J Exp Biol ; 216(Pt 22): 4184-9, 2013 Nov 15.
Artículo en Inglés | MEDLINE | ID: mdl-23948471

RESUMEN

Biological communication signals often combine bright and dark colors, such as yellow and black, but it is unclear why such patterns are effective. The literature on aposematism suggests that high contrast patterns may be easily learnt or innately avoided, whereas studies of sexual signaling refer to their attractiveness or to their cost. Here, in experiments with poultry chicks trained to find food in patterned containers, we confirm that elevated contrast dramatically increases the rate of initial attack on novel stimuli, but this response is labile. The chicks pecked once at a novel unrewarded stimulus and then ignored it for at least 24 h. Such single trial learning has not previously been reported for birds without a positively aversive unconditioned stimulus such as quinine. We then tested and rejected two hypotheses about the function of high contrast patterns: first that the preferential responses are due to novelty, and second that elevated contrast enhances learning about a novel color. More generally, the observations are consistent with the idea that elevated contrast attracts attention, thereby enhancing both initial responses - whether positive or negative - and the rate of learning.


Asunto(s)
Conducta Apetitiva/fisiología , Pollos/fisiología , Percepción de Color/fisiología , Sensibilidad de Contraste/fisiología , Aprendizaje Discriminativo/fisiología , Animales , Condicionamiento Psicológico/fisiología , Modelos Lineales , Masculino , Factores de Tiempo
2.
Am Nat ; 177(5): 681-90, 2011 May.
Artículo en Inglés | MEDLINE | ID: mdl-21508613

RESUMEN

It might seem obvious that a camouflaged animal must generally match its background whereas to be conspicuous an organism must differ from the background. However, the image parameters (or statistics) that evaluate the conspicuousness of patterns and textures are seldom well defined, and animal coloration patterns are rarely compared quantitatively with their respective backgrounds. Here we examine this issue in the Australian giant cuttlefish Sepia apama. We confine our analysis to the best-known and simplest image statistic, the correlation in intensity between neighboring pixels. Sepia apama can rapidly change their body patterns from assumed conspicuous signaling to assumed camouflage, thus providing an excellent and unique opportunity to investigate how such patterns differ in a single visual habitat. We describe the intensity variance and spatial frequency power spectra of these differing body patterns and compare these patterns with the backgrounds against which they are viewed. The measured image statistics of camouflaged animals closely resemble their backgrounds, while signaling animals differ significantly from their backgrounds. Our findings may provide the basis for a set of general rules for crypsis and signals. Furthermore, our methods may be widely applicable to the quantitative study of animal coloration.


Asunto(s)
Fenómenos Ópticos , Pigmentación , Sepia , Adaptación Biológica , Comunicación Animal , Animales , Femenino , Análisis de Fourier , Masculino , Percepción Visual
3.
Proc Biol Sci ; 276(1675): 3963-9, 2009 Nov 22.
Artículo en Inglés | MEDLINE | ID: mdl-19692411

RESUMEN

It is virtually impossible to camouflage a moving target against a non-uniform background, but strategies have been proposed to reduce detection and targeting of movement. Best known is the idea that high contrast markings produce 'motion dazzle', which impairs judgement of speed and trajectory. The ability of the cuttlefish Sepia officinalis to change its visual appearance allows us to compare the animal's choice of patterns during movement to the predictions of models of motion camouflage. We compare cuttlefish body patterns used during movement with those expressed when static on two background types; one of which promotes low-contrast mottle patterns and the other promotes high-contrast disruptive patterns. We find that the body pattern used during motion is context-specific and that high-contrast body pattern components are significantly reduced during movement. Thus, in our experimental conditions, cuttlefish do not use high contrast motion dazzle. It may be that, in addition to being inherently conspicuous during movement, moving high-contrast patterns will attract attention because moving particles in coastal waters tend to be of small size and of low relative contrast.


Asunto(s)
Conducta Animal/fisiología , Actividad Motora/fisiología , Pigmentación , Sepia/fisiología , Animales
4.
Philos Trans R Soc Lond B Biol Sci ; 364(1516): 439-48, 2009 Feb 27.
Artículo en Inglés | MEDLINE | ID: mdl-18990667

RESUMEN

The cuttlefish, Sepia officinalis, provides a fascinating opportunity to investigate the mechanisms of camouflage as it rapidly changes its body patterns in response to the visual environment. We investigated how edge information determines camouflage responses through the use of spatially high-pass filtered 'objects' and of isolated edges. We then investigated how the body pattern responds to objects defined by texture (second-order information) compared with those defined by luminance. We found that (i) edge information alone is sufficient to elicit the body pattern known as Disruptive, which is the camouflage response given when a whole object is present, and furthermore, isolated edges cause the same response; and (ii) cuttlefish can distinguish and respond to objects of the same mean luminance as the background. These observations emphasize the importance of discrete objects (bounded by edges) in the cuttlefish's choice of camouflage, and more generally imply that figure-ground segregation by cuttlefish is similar to that in vertebrates, as might be predicted by their need to produce effective camouflage against vertebrate predators.


Asunto(s)
Adaptación Biológica/fisiología , Percepción de Forma/fisiología , Pigmentación/fisiología , Sepia/fisiología , Visión Ocular/fisiología , Análisis de Varianza , Animales , Estimulación Luminosa , Análisis de Componente Principal , Grabación en Video
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