RESUMEN

Over recent years, with the support of international NGOs, many thousands of irregular migrants were 'returned' to West Africa from Libyan detention centres. Through extensive ethnographic fieldwork with different groups of returnees in Benin City, Nigeria, I studied the establishment and evolution of the 'returnee' identity. Making use of labelling, social identity and performativity theories, I found that the performance of the returnee identity for Western donors, researchers and the media creates opportunities for the returnees to regain respect in their communities. Emphasising the role of performativity in identity formation, I use the metaphor of a theatrical play. Initially scripted by the EU border-externalisation policies, the return-migration play has evolved to fit in local political realities. On the frontstage, returnees were adjusting to the EU counter-migration agenda, testifying about the risks of irregular migration. Backstage, however, they kept pursuing their migration aspirations, also using the returnee identity to establish themselves in the city and gain some level of political recognition.