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Alkannin is the main coloring matter of Alkanet, a natural red dye extracted from the root of Alkanna tinctoria L. Shikonin, the optical isomer of alkannin, is extracted from Lithospermum erythrorhizon. As both red dyes are only slightly soluble in water, the application of ordinary Raman spectroscopy is limited. Thus, Surface-enhanced Raman spectroscopy (SERS) can be successfully applied to the study of the red dyes solutions. Solid alkannin and shikonin were characterized by ordinary Raman spectroscopy. Density Functional Theory (DFT) methods were used to calculate the Raman spectrum of the dyes and to assign the experimental Raman bands to their vibrational normal modes. Different pH conditions were tested in order to determine the optimal conditions for the SERS detection of alkannin and shikonin. Based on the previous results, a perpendicular orientation of the red dyes on the Ag substrate was deducted. Finally, shikonin was identify by SERS spectroscopy in a dyed paper sample from an 8th century handscroll from Japan.

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Three Japanese woodblock prints from the Edo period (1603-1868) underwent a scientific investigation with the aim of understanding the changes in the colorants used in Japanese printing techniques. A multi-analytical approach was adopted, combining non-invasive techniques, such as fiber optic reflectance spectroscopy (FORS), Raman spectroscopy, multispectral imaging (MSI), and macro X-ray fluorescence (MA-XRF) with minimally invasive surface-enhanced Raman spectroscopy (SERS). The results enabled many of the pigments to be identified and their distribution to be studied, apart from two shades of purple of organic composition. Consequently, the potential of high-pressure liquid chromatography tandem mass spectrometry (HPLC-MS/MS) was explored for the first time with application to Japanese woodblock prints. The intrinsic sensitivity of the instrument and an effective extraction protocol allowed us to identify a mixture of dayflower (Commelina communis) blue and safflower (Carthamus tinctorius) red in purple samples constituted of 2-3 single fibers. In addition to the innovative integration of MA-XRF and HPLC-MS/MS to investigate these delicate artworks, the study concluded on the use of traditional sources of colors alongside newly introduced pigments in late Edo-period Japan. This information is extremely important for understanding the printing practices, as well as for making decisions about display, conservation, and preservation of such artworks.

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The development and application of proper sample pretreatments is often a key step toward the successful analysis of dyes used as artists' materials by surface-enhanced Raman spectroscopy (SERS). Complexation of the organic colorants with metal ions to dye fabrics and produce lake pigments, as well as undesired interactions with other matrix components such as substrate, binding media, fillers, and extenders, are just some of the issues that typically complicate dye identification in minute samples from invaluable artworks and museum objects. These concerns may be addressed by using, prior to SERS analysis, ad-hoc sample pretreatments that, in addition to increasing the technique's sensitivity, favorably affect its selectivity toward certain molecules or molecular classes. The present work describes a newly developed sample pretreatment based on the use of nitric acid that has proven crucial for the successful detection of aniline and xanthene dyes-the first synthetic organic colorants to be used in printing and painting, among other art forms-in microscopic samples from works of art such as a 19th-century silk fabric, paper cut-outs by Henri Matisse, Vincent Van Gogh's Irises, and Japanese woodblock prints. This treatment promotes the hydrolysis of the dye-metal bond in mordant dyes or lake pigments, resulting in a more efficient adsorption of the dye molecules on the SERS-active substrate and, hence, enabling the acquisition of high-quality spectra. In the case of synthetic colorants, this method shows advantages over hydrolysis with hydrofluoric acid-a procedure previously established for the analysis of red lakes prepared from natural dyes. The nitric acid treatment presented here may be integrated into a multi-step methodology that, by exploiting differences in solubility of various dyes and lake pigments, has enabled for the first time to successfully characterize intentional mixtures of natural and synthetic colorants of the xanthene and anthraquinone molecular classes, i.e., eosin Y and carmine, in a selection of Japanese prints of the Meiji era. The present study paves the way for the systematic identification of synthetic dyes in objects of artistic and archeological interest, even when they are present in mixtures with natural organic colorants.

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This research presents a study in surface-enhanced Raman quantitation of dyes present in mixtures of alizarin and purpurin using standard calibration curves and Langmuir isotherm calibration models. Investigations of the nature of competitive adsorption onto silver nanoparticles by centrifugation indicates that both dyes in the mixture interact with the nanoparticles simultaneously, but only the stronger adsorbing one is seen to dominate the spectral characteristics. Calibration can be carried out by careful selection of peaks characteristic to each dye in the mixture. Comparisons of peak height and peak area calibrations reveal that peak heights, when selected by the maximum value and accounting for peak shifts, prove the better model for quantitation. It is also shown that the microwave nanoparticle synthesis method produces stable nanoparticles with a shelf-life of at least one year that give very little variation within and between uses.

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Results from three years of continuous monitoring of environmental conditions using a wireless sensor platform installed at The Cloisters, the medieval branch of the New York Metropolitan Museum of Art, are presented. The platform comprises more than 200 sensors that were distributed in five galleries to assess temperature and air flow and to quantify microclimate changes using physics-based and statistical models. The wireless sensor network data shows a very stable environment within the galleries, while the dense monitoring enables localized monitoring of subtle changes in air quality trends and impact of visitors on the microclimate conditions. The high spatial and temporal resolution data serves as a baseline study to understand the impact of visitors and building operations on the long-term preservation of art objects.

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In order for a new analytical technique such as surface-enhanced Raman scattering (SERS) to be used in a routine manner, data and studies on the validation of the method are required. In that context, we performed a systematic study of the variability observed at different levels of the analytical procedure (i.e. respectively measurement, sampling, colloids aliquots, colloids batches, laboratories). Our goal is to provide data towards a qualitative validation of the technique for identification purposes. Three molecules of forensic interest were used as probes, respectively crystal violet, methamphetamine and 2,4,6-trinitrotoluene (TNT). We demonstrate that the method is repeatable with RSD and multivariate techniques (PCA). The % RSD at the different analytical stages vary between the molecules and the peaks considered. The repeatability is on the order of 2-6% for crystal violet, and 5-16% for TNT. Methamphetamine binds very weakly to the silver colloids giving much greater variability in the measurements (5-29%). We show that spectra measured in the same conditions (e.g. same laboratory and instrument), even a few days apart, are comparable and stable. The largest source of variation has been identified to be the measurement conditions and the associated random fluctuations in intensity (i.e. Brownian motion of the particles, solvent evaporation and concentration). The influence of the substrate is confirmed to be negligible. However, the reproducibility between different laboratories and different instruments introduced the largest source of variability (∼ 10-70%). Despite these factors, we demonstrate that qualitative identification of the species under analysis by measurement and comparison of peaks position is always successful even though quantitative analysis is, at present, difficult. Regardless of the amount of variability determined, the molecules could always be successfully identified, even on different instruments from different laboratories by utilizing the criterion proposed in the literature (i.e. 3:1 signal-to-noise ratio).

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Surface-enhanced Raman spectroscopy (SERS) has been increasingly used in the study of works of art to identify organic pigments and dyes in paintings, which (depending on the material) are difficult or not possible to detect by other current methods. The application of SERS to the study of paintings has been limited, however, by the lack of a sampling approach with sufficient sensitivity and spatial resolution. We show that ultraviolet laser ablation (LA) sampling coupled with SERS detection can be successfully used to study paint layers. LA-SERS permitted the isolation of signals from colorants in individual thin paint layers in sample cross-sections, avoiding contamination from adjacent layers. These results expand the range of analytical applications of SERS demonstrating how the technique can be used to sensitively detect minor organic components in complex matrices. While this is fundamental for the study of cultural heritage, it is also relevant in other fields such as forensic analysis, food science, and pharmacology.

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We evaluated the normal Raman (NR) and the surface-enhanced Raman scattering (SERS) of three sympathomimetic amines: phenethylamine, ephedrine, and 3,4-methylenedioxymethamphetamine (MDMA). In addition, quantum mechanical calculations-geometry optimization and calculations of the harmonic vibrational frequencies-were performed using the density functional theory (DFT) approach. Vibrational assignments were made by comparing the experimental and calculated spectra. The study found that both NR and SERS provided excellent spectra for the drugs tested. Certain conditions, such as response to various laser wavelengths and background fluorescence of the analyte, could be easily managed using SERS techniques. The DFT-calculated spectra could be correlated with the experimental spectra without the aid of a scaling factor. We also present a set of discriminant bands, useful for distinguishing the three compounds, despite their structural similarities.

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Improved identification of trace organic compounds in complex matrixes is critical for a variety of fields such as material science, heritage science, and forensics. Surface-enhanced Raman scattering (SERS) is a vibrational spectroscopy technique that can attain single-molecule sensitivity and has been shown to complement mass spectrometry, but lacks widespread application without a robust method that utilizes the effect. We demonstrate a new, highly sensitive, and widely applicable approach to SERS analysis based on laser ablation in the presence of a tailored plasmonic substrate. We analyze several challenging compounds, including non-water-soluble pigments and dyed leather from an ancient Egyptian chariot, achieving sensitivity as high as 120 amol for a 1:1 signal-to-noise ratio and 5 µm spatial resolution. This represents orders of magnitude improvement in spatial resolution and sensitivity compared to those of other SERS approaches intended for widespread application, greatly increasing the applicability of SERS.

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Carbon nanotubes internalize into cells and are potential molecular platforms for siRNA and DNA delivery. A comprehensive understanding of the identity and stability of ammoniumfunctionalized carbon nanotube (f-CNT)-based nucleic acid constructs is critical to deploying them in vivo as gene delivery vehicles. This work explored the capability of f-CNT to bind single- and double-strand oligonucleotides by determining the thermodynamics and kinetics of assembly and the stoichiometric composition in aqueous solution. Surprisingly, the binding affinity of f-CNT and short oligonucleotide sequences was in the nanomolar range, kinetics of complexation were extremely rapid, and from one to five sequences were loaded per nanotube platform. Mechanistic evidence for an assembly process that involved electrostatic, hydrogen-bonding and π-stacking bonding interactions was obtained by varying nanotube functionalities, oligonucleotides, and reaction conditions. 31P-NMR and spectrophotometric fluorescence emission data described the conditions required to assemble and stably bind a DNA or RNA cargo for delivery in vivo and the amount of oligonucleotide that could be transported. The soluble oligonucleic acid-f-CNT supramolecular assemblies were suitable for use in vivo. Importantly, key evidence in support of an elegant mechanism by which the bound nucleic acid material can be 'off-loaded' from the f-CNT was discovered.

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The introduction of surface-enhanced Raman spectroscopy (SERS) in the field of cultural heritage has significantly improved the analysis of the organic dyes and their complexes that have been used as textile dyes and pigments in paintings and other polychrome works of art since antiquity. Over the last five years, a number of different procedures have been developed by various research groups. In this Article, we evaluate the effect of pretreating samples by exposing them to hydrofluoric acid (HF) vapor prior to SERS analysis, a step designed to hydrolyze the dye-metal complexes and increase analyte adsorption on the nanosized metallic support, thus enhancing the SERS signal. Materials studied include pure colorants, commercial lake pigments, and fibers from dyed textiles, as well as actual aged samples, such as microscopic fragments of lakes on paper and ancient pigments and glazes from several works of art, covering a wide range of time, from the second century B.C. to the early 20th century. In each case, SERS spectra obtained with or without HF hydrolysis were critically evaluated. The pretreatment with HF vapor resulted in faster analysis and increased sensitivity in most cases, with the exception of dyed silk fibers, where silk protein hydrolyzates were found to interfere with SERS analysis. As a final point, a two-step procedure including SERS on untreated and treated samples is proposed as a standard approach: by analyzing a sample first without hydrolysis, and then, following removal of the colloid, upon HF treatment, the best and most reliable results for a great number of dyes and substrates are assured.

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We present a new method based on surface-enhanced Raman scattering (SERS) for the nondestructive identification of organic colorants in objects whose value or function precludes sampling, such as drawings, prints, historic and archeological textiles, handwritten or printed documents, and forensic evidence. A bead of a polymer hydrogel loaded with a solution containing water, an organic solvent, and a chelating agent is used to extract minimal amounts of the colorants from the work of art for SERS analysis. Using a gel as a medium for the solvent mixture confines its action only to the areas of the work of art covered by the gel bead. The gel bead is then removed from the work of art, covered with a drop of Ag colloid, and examined with a Raman microscope. Transfer of the dye from the substrate to the gel does not require removing a sample from the work of art, therefore preserving the physical integrity of the object. Spectrophotometric color measurements confirm that color change is below the limit perceivable by a human observer. Finally, the size of the polymer bead can be reduced to a fraction of a millimeter in order to further minimize any impact on the work of art, without detriment to the effectiveness of the method. The technique has been successfully used for the analysis of a mordant dye on the 15th century Netherlandish tapestry, "The Hunt for the Unicorn", and of a synthetic lake pigment on a Meiji period Japanese woodblock print.

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We obtain the normal Raman and surface-enhanced Raman spectrum of three controlled substances: morphine, codeine, and hydrocodone. The spectra are assigned with the aid of density functional theory. Because of rather intense fluorescence, normal Raman spectra suffer from poor signal-to-noise, even when differential subtraction techniques are employed. On the other hand, surface enhancement by Ag nanoparticles both enhances the Raman signal and suppresses the fluorescence, enabling far more sensitive detection and identification. We also present a set of discriminant bands, useful for distinguishing the three compounds, despite the similarities in their structures.

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Organic dyes extracted from plants, insects, and shellfish have been used for millennia in dyeing textiles and manufacturing colorants for painting. The economic push for dyes with high tinting strength, directly related to high extinction coefficients in the visible range, historically led to the selection of substances that could be used at low concentrations. But a desirable property for the colorist is a major problem for the analytical chemist; the identification of dyes in cultural heritage objects is extremely difficult. Techniques routinely used in the identification of inorganic pigments are generally not applicable to dyes: X-ray fluorescence because of the lack of an elemental signature, Raman spectroscopy because of the generally intense luminescence of dyes, and Fourier transform infrared spectroscopy because of the interference of binders and extenders. Traditionally, the identification of dyes has required relatively large samples (0.5-5 mm in diameter) for analysis by high-performance liquid chromatography. In this Account, we describe our efforts to develop practical approaches in identifying dyes in works of art from samples as small as 25 microm in diameter with surface-enhanced Raman scattering (SERS). In SERS, the Raman scattering signal is greatly enhanced when organic molecules with large delocalized electron systems are adsorbed on atomically rough metallic substrates; fluorescence is concomitantly quenched. Recent nanotechnological advances in preparing and manipulating metallic particles have afforded staggering enhancement factors of up to 10(14). SERS is thus an ideal technique for the analysis of dyes. Indeed, rhodamine 6G and crystal violet, two organic compounds used to demonstrate the sensitivity of SERS at the single-molecule level, were first synthesized as textile dyes in the second half of the 19th century. In this Account, we examine the practical application of SERS to cultural heritage studies, including the selection of appropriate substrates, the development of analytical protocols, and the building of SERS spectral databases. We also consider theoretical studies on dyes of artistic interest. Using SERS, we have successfully documented the earliest use of a madder lake pigment and the earliest occurrence of lac dye in European art. We have also found several examples of kermes and cochineal glazes, as well as madder, cochineal, methyl violet, and eosin lakes, from eras ranging from ancient Egypt to the 19th century. The ability to rapidly analyze very small samples with SERS makes it a particularly valuable tool in a museum context.

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Scientific studies of works of art are usually limited by severe sampling restrictions. The identification of organic colorants, a class of compounds relevant for attribution and provenance studies, is further complicated by the low concentrations at which these compounds are used and by the interference of the protein-, gum-, or oil-binding media present in pigment and glaze samples. Surface-enhanced resonance Raman scattering (SERRS) was successfully used to identify natural organic colorants in archaeological objects, polychrome sculptures, and paintings from samples smaller than 25 microm in diameter. The key factors in achieving the necessary sensitivity were a highly active stabilized silver colloid, obtained by the reproducible microwave-supported reduction of silver sulfate with glucose and sodium citrate, and a non-extractive hydrolysis sample treatment procedure that maximizes dye adsorption on the colloid. Among the examples presented are the earliest so far found occurrence of madder lake (in a 4,000 years old Egyptian object dating to the Middle Kingdom period), and the earliest known occurrence in Europe of the South Asian dyestuff lac (in the Morgan Madonna, a 12th century polychrome sculpture from Auvergne, France).

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The applicability of Raman spectroscopy and surface-enhanced Raman scattering (SERS) to the analysis of synthetic dyes commonly found in ballpoint inks was investigated in a comparative study. Spectra of 10 dyes were obtained using a dispersive system (633 nm, 785 nm lasers) and a Fourier transform system (1064 nm laser) under different analytical conditions (e.g., powdered pigments, solutions, thin layer chromatography [TLC] spots). While high fluorescence background and poor spectral quality often characterized the normal Raman spectra of the dyes studied, SERS was found to be generally helpful. Additionally, dye standards and a single ballpoint ink were developed on a TLC plate following a typical ink analysis procedure. SERS spectra were successfully collected directly from the TLC plate, thus demonstrating a possible forensic application for the technique.