RESUMEN
Industrial, pre-consumer pellets are a major type of plastics pollution found on shorelines worldwide. This study investigates the distribution and characteristics of plastic pellets accumulated on beaches of the Laurentian Great Lakes of North America and provides a "snapshot" of pellet distribution in a lake system that accounts for 21% of the world's freshwater reserves. We sampled pellets simultaneously from 10m2 quadrats on 66 beaches and characterized the 12,595 pellets collected (average of 19.1 pellets/m2). Forty-two beaches contained pellets and 86% of the pellets were found on three beaches: Rossport (Lake Superior), Baxter (Lake Huron), and Bronte (Lake Ontario). The number of pellets on each beach was compared with factors hypothesized to control their accumulation. In general, positive correlations were found between pellet abundance and watershed population, number of plastic-related industries, and proximity to a river mouth, although for Lake Superior, abundance was related to a train spill that took place over 10 years ago. Beach grain size appears to be related to pellet abundance, with very fine sand, fine sand and medium sand containing the greatest number of pellets. All pellets were visually characterized based on size, color, shape, weathering, and distinguishing traits. The predominant color was white, oblate shapes were most common, and the main distinguishing trait was a dimple. Most pellets showed little evidence of weathering, with the weathered samples mainly from Lakes Erie and Ontario. Lake Ontario pellets were the most varied, with 6/7 shapes, 35/40 colors, and 21/25 distinguishing traits, indicating a wider range of pellet sources compared to the other lakes. Polymer compositions were mainly polyethylene (PE) and polypropylene (PP). Our results will lead to increased recognition of regional pellet pollution in the Great Lakes watershed, thereby motivating change during their production, transport and use.
RESUMEN
This paper considers how an interdisciplinary approach to the "wicked problem" of plastics pollution offers unique and important collaborative possibilities. Specially, the paper considers the approach of the Synthetic Collective, a group comprising artists, humanities scholars, and scientists. Considering first how artists and scientists might respond differently to tracking, mapping, understanding, and representing plastics pollution, we then look for potential points of commonality across disciplinary difference. In respect to the urgent and multifaceted problem of marine plastics pollution in the Great Lakes region, we ask what are some of the successes and pitfalls of bringing together diverse approaches and interests? The paper concludes with a clear strategy: a set of instructions geared towards building successful interdisciplinary collaborations. Ultimately, we conclude that a strong relationship amongst scientists and artists is possible, fruitful, and indeed warranted when shared goals are the driving principle of the group.